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The Visible World: Samuel van Hoogstraten's Art Theory and the Legitimation of Painting in the Dutch Golden Age
The Visible World: Samuel van Hoogstraten's Art Theory and the Legitimation of Painting in the Dutch Golden Age Summary:
Publisher: Amsterdam University Press 2008 | 512 Pages | ISBN: 9089640274 | PDF | 35 MB
Drawing on discussions in Rembrandt's studio, the author provides an ambitious overview of seventeenth-century Dutch artists' views on art. How did painters and their public speak about art in Rembrandt's age? This book about the writings of the painter-poet Samuel van Hoogstraten, one of Rembrandt's pupils, examines a wide variety of themes from painting practice and theory from the Dutch Golden Age. It addresses the contested issue of 'Dutch realism' and its hidden symbolism, as well as Rembrandt's concern with representing emotions in order to involve the spectator. Various aspects of imitation and illusion come to the fore, such as the theory behind sketchy or 'rough' brushwork and the active role played by the viewer's imagination. Thijs Weststeijn is lecturer in art history at the University of Amsterdam. NEWER EBOOKSSponsored LinksThe Visible World: Samuel van Hoogstraten's Art Theory and the Legitimation of Painting in the Dutch Golden Age Keywordsdutch rembrandt theory golden painting samuel hoogstraten van aspects spectator imitation illusion fore concern symbolism sketchy representing emotions involve played imagination thijs weststeijn lecturer viewer artists views dutch artists seventeenth century dutch ambitious overview dutch goldenBookmark The Visible World: Samuel van Hoogstraten's Art Theory and the Legitimation of Painting in the Dutch Golden AgeHyperlink code: |
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